Karagöz: Consider this a formal introduction to himself

Karagoz theatre, backstage.

Karagoz theatre, backstage...Image via Wikipedia

Karagöz is a word that refers both to an individual puppet character from the Ottoman Empire era AND to the entire troupe of Karagöz shadow puppets that surround him.  I have described this band of puppets in brief, here. And I have also introduced them as they introduced themselves to me, in their hometown of Bursa.

Kara, meaning black is linked with göz, meaning eye.  Presumably, this name refers to the puppet with the big, black eye – not from a punch in the face – just a big black eye.  While you have heard lots and lots about Karagöz’s favorite approaches to life – namely – twisting, turning, jumping, cartwheeling, flipping and being generally flippant in the most rhyming manner possible, I haven’t told you much more about him than the ways that he tends to act as the shadow puppet personification of the outlier voice in my head, the proverbial agent provocateur.  He is the puppet that nags at me, questions me in the most cruel ways, makes me question myself (and sometimes my sanity) and always gets a fight going.  He is the nay-sayer that drives me nuts in my head.  The problem is, there is always a grain of truth in his antics, it is always in there somewhere.

One of the best English-language websites I have found on the Karagöz puppet tradition in Turkey, http://www.karagoz.net/english/shadowplay.htm , talks a bit about this fellow, saying “I have touched in passing on Karagöz and Hacivat, the two cronies who are the leading characters of the Turkish shadow theatre Karagöz, but the main character is Karagöz . Karagöz is uneducated but honest.”  As M. tells it, the Karagöz of his childhood is more than honest – he is brutally honest, calling a spade a spade, as well say, regardless of the context, the company or the consequences.  The author of this super website continues on to describe Karagöz in contrast to the ever-present Hacivad (or Hacivat) , saying:

Karagöz the drummer - drumming home his crazy message of the day

“It is always doubtful whether Karagöz and Hacivat ever really existed and, as we have already seen, there are many legends about this. Karagöz was supposed by some to be a gypsy and there are many allusions and much evidence in the plays to support this theory. Karagöz has a round face, his eye is boldly designed with a large black pupil, hence his name -Black Eye-. He has a pug nose and around thick curly black beard. His head, completely bald, sports an enormous turban which, when knocked off, suddenly expose his bald head which always provokes laughter. In all dialogue between Karagöz and Hacivat, we find Hacivat always uses flowing language full of prose rime while Karagöz uses the language of the common people. His promptness with repartee procured for him his fame and reputation. This contrasts artificiality with simplicity and is the first satire to attain these differences. This contrasting language is also noticeable in Hacivat,s erudition. He can recite famou s poems, has a vast knowledge of music, is conversant with the names of various rare spices, the terminology of gardening, many varied encyclopedic extracts, and with the etiquette of the aristocracy. This however is superficial and gives him only a scholastic type of making a living for himself and his family. Because he has no trade, he is usually unemployed and fails to provide for his family, and has enough sense to realize that to rectify this, he does not need Hacivat’s superficial knowledge. Though he is stupid and easily taken in, he is constantly able to deceive Hacivat and others.”

The Karagoz Museum in Bursa - From the Bursa Daily Photo blog (click photo for link)

For a more academic exploration of the character, see the Turkish Cultural Foundation‘s description, here

While I have taken some liberties in my interpretations of the puppets based on my own artisitic license, this is where they started.  Even though I cannot understand the majority of Karagözi dialogue in live or video performances of this shadow puppetry, these puppets have fascinated me since I first saw them in 2004.  I have loved hearing M.’s stories about them – and about the stock character types they represent – straight out of the Ottoman Empire.  One more reason to improve upon my Turkish is next year’s planned visit to the Karagöz museum in Bursa.  This short, two-minute video from the Turkish Cultural Foundation should give you a taste of what it is all about…

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58 Responses to Karagöz: Consider this a formal introduction to himself

  1. Alan says:

    amazing that after so many years here I know so little about these interesting little folk. Now I feel compelled to learn more. So, thank you for the peek into one of your cerebral theatres.

  2. Liz Cameron says:

    Thanks, Alan. They are an interesting lot from so many angles. I am doing a whole posting series on individual characters, so that should help some. May they bring you a bit of joy whilst in the ol’ grey and misty home country.

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