On the 7th day of Christmas: Meet Zenne, nervous nellie like a bowl of jelly


The shy and reserved Zenne, image from the Asian Shadow Theatre Exhibition's photostream at Flikr

Today, it is time to meet Zenne, the Karagoz puppet that I refer to as “the nervous nellie like a bowl of jelly.”  I realized that this moniker was befitting of her when I passed by Nervous Nellie’s Shop – in Deer Island, Maine.  They have some delicious, albeit wobbly and shaky jelly.  Zenne was so nervous about trying this new jelly, that she shivered and shook and worried that she might stain her silken veil with the wild blueberry jelly I was encouraging her to try, and the nickname was born.

So, Zenne, she is a very sweet and well-meaning lady, but very timid.  She wants to make a good impression.  She wants to do “the right thing.”  As Tiryaki Bey is addicted to opium – she is addicted to the worry about “doing the right thing” even if it is something that leads to her undoing.  So, how did Zenne come to be the way she is? And why is she here in my mind?  Rumor has it that her first words as a child were “Mummy, I wowwy about dat” but that is the extent of what we know about her origins other than that she was brought into Sultan Selim I‘s court as a Çengi from the Aegean region after being noticed in the village market by the entourage.  She worried about whether she would be chosen, whether she should go back to her family after being chosen and about whether she would please the Sultan since being chosen.  So, since that toddler-infused sentence was uttered, she basically has not stopped since then with the worrying, it is just part of who she is.  She does her best to put her worry to good use – reframed as an analytical mind on steroids, thinking multiplicatively about all possible options on any given matter.  She really drives people nuts, but there is a sheer genius to her brain sometimes – like juggling with concepts.  Her worry, though, can devolve into dysfunctional in a hot minute.  Generally, the other puppets are tender with her – except for the merciless Karagöz, who taunts her without end.

In the depiction of Zenne above left, we see a rather proper-looking lady with a veil – no?  Sniffing disdainfully as she throws her chin towards the chorus of little dancing ladies, (Çengi) , Kenne interrupts me here, “she is most certainly a proper lady, unlike that other lot!”  Zenne was also a Çengi for many years – due to her nervousness, she was usually the puppet that would start the pre-puppet-show on screen, which always starts with a scantily clad dancing girl – she had to start, because she was too nervous to wait.  But she gave this all up, as just before she drank from the fountain of youth with Khadijah, she had converted to Islam, and to a life of pious service to others.  This led to her use of the veil in the stereotypical sense we think of today – the veil as a guardian of female modesty.

While in reality, this image above may likely be a 19th-century re-imagination of the women of the Karagöz puppet troupe, we like to keep her this way over here at slowly-by-slowly.  So, let’s talk about that.  Now, the stereotype about the women amongst the traditional Karagöz puppet troupe is that they are temptresses extraordinaire, always being “unabashed flirts” and “setting snares for men,” at least so says Dror Zeʼevi, whose 2006 book, entitled Producing desire: Changing sexual discourse in the Ottoman Middle East, 1500-1900 covers all sorts of unexpected topics, as described here at this link.

A close up of a rose geranium flower from Zenne's summer garden

Zenne stays with her human relentlessly, she worries about her A LOT.  It’s just part of the territory with her, 99% of the time.  The only place she finds some solace is in her summertime scented garden – full of fragrant herbs, the most abundant of which is rose geranium – there is nothing more calming, she tells me, and it even makes a fantasically romantic jelly, the recipe for which she provides us here:
“Cut off all spots and decayed places on the apples. Do not core or peel them. Use abut 8 dozen apples. Fill the preserving pan and cover the fruit with spring water, cook until pulpy. Pour the fruit into a cotton bag and let them strain all night. Do not squeeze the bag too hard or you will get cloudy jelly. Next day add 1 pound sugar for every pint of juice; put in several plum fresh rose geranium leaves. Let this mixture boil 20 minutes. Take out and discard the geranium leaves. Skim it well. Put either into shapes or pots, cover it the next day. It ought to be quite stiff and clear.”  We see, sadly, that Cooks.com copies this recipe without any attribution to the little shadow puppet lady herself.  :(

Karagöz is up to his tricks, this time with a “ghost post:” The puppet troupe responds


Well, woe is me.  Karagöz is up to his tricks, this time with a “ghost post.”  These puppets are so anxious to get ahead on posting for the new year, that they accidentally hit “publish” instead of “schedule” for a post they just inspired their human, me, the one who types, to write.

Karagoz the trickster is at it again - this time he is after the man in the superman costume - or else he really has some kryptonite. Thanks to this link for this little moving image! http://www.karagozcu.byethost13.com/images/intikam.gif

Kenne, the etiquette maven you learned about a few days ago, is red-faced and horrified, already seeking guidance from Emily Post on how to handle this situation.

Tiryaki, the opium addict, just took another toke and nodded out as a way to get through the embarrassment.

Celebi suggested that we just face the music, front and center, and throw a party for everyone – preferably with some Mahler symphonies, or maybe Bartok.

Khadijah just shrugged her shoulders, and kept going on the laundry.

Zenne, well, true to form, she is even more of a nervous nellie, shaking like jelly that someone will be upset, or even un-friend us on Facebook, de-tweet us on Twitter or stop following us on email.

The chorus of dancing ladies, well, they just grumble and mumble from their usual spot in my purse as Bebe Ruhi asks me, over and over and over, “why do you do this? Why do you do this writing? What is the meaning of this writing? What do you think subconsciously led you to hit “publish” and why?”

Esma, the little hippie puppet, she looked at me – and just instructed me to assume the position, the lotus position, that is.  Namely, it is time to meditate and consider this addiction to writing that has befallen me – and made me lose my senses.

At the mention of addiciton, Tiryaki stirs from his opium-laced sleep, opens one eye, surveys the tense situation, and falls immediately back to sleep.

And what do I say to the little hippie lady practically beating me with a lotus flower? “It’s a hell of a lot more fun than grading papers.”  She has no argument.

And then Hacivad Bey shows  up, and as usual, he has a quote from Rumi that leaves me ready to move on:

Mistakes can also lead you to the Truth. Ask, the answer will be given.”